In which I gives an examination of how to think about playing odd meters in a musical, aesthetically pleasing way. Topics include Take Five (Brubeck), America is Waiting (Byrne/Eno), Tomorrow’s World (Killing Joke), Tattooed Love Boys (Pretenders), Scatterbrain (Jeff Beck), 13/8, 5/4, 7/8, 9/8, 31/8, and nested rhythms.